Tag Archives: consciousness

Mtume Gant: Remembering “As an Act of Protest”

Fellow filmmaker and colleague for nearly 20 years, Mtume Gant, has written a touching commemorative piece for my 2001 cult film “As an Act of Protest,” which recently received a revival screening in Chicago via Floyd Webb’s Black World Cinema…Click the link below to read his liner notes for this “retrospective” which will be included in the DVD package at the end of this year. 

Maverick Intentions: By Mtume Gant 

Dennis Leroy Kangalee's "As an Act of Protest" starring Che Ayende

Dennis Leroy Kangalee’s “As an Act of Protest” starring Che Ayende

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A Cinematic Protest Returns to the Screen!

Thursday, November 6, 2014 @ 7:00pm!

” The Best Black Film of The Year!”  – Kam Williams, 2002, The NJ Herald

After more than a decade, the 2002 cult classic AS AN ACT OF PROTEST will finally get its Chicago ‘premiere’ at the Studio Movie Grill Chatham Theater, 201 West 87th Street, courtesy of Floyd Webb and Black World Cinema.

A cinematic “line in the sand against racism,” it is provocative, disturbing, and emotionally arresting at times – this is a movie unlike any other made in the early part of the 21st century as it signified a new type of “protest art” within the dramatic arts, linking the political consciousness of 1960’s-1970’s radical theater with the cinematic urgency and simplicity of the “Dogme 95″ Digital Video revolution in world cinema.

Hopefully we can get some folks in the windy city to brave the weather and get a chance to see Dennis Leroy Kangalee’s seldom seen “missile from his youth”!

'As an Act of Protest' design by Benn Starr (2014)

‘As an Act of Protest’ design by Benn Starr (2014)

Thursday, November 6, 2014 at 7pm, Adm. $6.00

Black World Cinema @

Studio Movie Grill Chatham Theater
210 W 87th Street

Additional information:

Click here for video excerpts or more information on the film itself.

Contact: Black World Cinema, 9 W Washington St, Chicago, IL 60602

Curated by: Floyd Webb, floydwebb@gmail.com

Visit http://aaaopfilm.wordpress.com/screenings/ for more information. 

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Black Film & The Underground Spirit: 3

It all boils down to what is your weapon. If the pen is mightier than the sword, and I do believe it is, directors must respect their talents and their tools…It is very easy and horrifying to kill a man. It is much difficult and courageous to supplant a perversion with a transcendence; the true act of destruction carries the desire to create within it… You can only make a sex, drugs, and rock and roll movie so many ways. Within this barrage of images assaulting you – TV, newspapers, films – the only way to compete and battle America’s freaky web of pop culture, blatant racism, not so blatant racism, and that beast called television is to align your own self behind a series of images, tie them to a missile, and set it off. And if constructed correctly, no matter how small, missiles will destroy.
— from “Towards a Black New Wave & Notes from the Underground,”
(Harlem, August 26, 2000)

The Author, DL Kangalee, NYC, 2004 [photo by Nina Fleck]

The Author, DL Kangalee, NYC, 2004 [photo by Nina Fleck]

([copyright 2000, 2014 by Dennis Leroy Kangalee)

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THE ANSWER (or: When they ask “what do you intend to do with your film?” a poem for guerrilla filmmakers and producers)*

Well, obviously you intend to share it. You won’t just leave it in your Aunt Edna’s socks drawer. (But then again, what if you did? Would that be a crime?)

 Kangalee at the famed Odessa Diner, NYC 2012 [E.Torres]

Kangalee at the famed Odessa Diner, NYC 2012 [E.Torres]

If the investor asks, obviously you well tell him your ambitions for the festival circuit and beyond. He’s concerned with money. And he should be. That’s who he is. But this Answer is intended for artists to be used…on other artists (actors, in particular)

Do singers actually ask composers: “So you want me to record this song? Hmmm…and what is your intention there?”

Would you have asked Langston Hughes: “What do you intend to DO with that poem once you’ve spilled it forth onto the page?”

So, I implore my fellow artists, my fellow Independent (truly) Filmmakers to use this as an answer to that most ridiculous question.

When asked: “What are you shooting with?”
Say: “An AK-47.”

Then remind them, that Gordon Parks wrote: it is a choice of weapons…

Cite Robert Kramer. Or John Cassavetes. Or…No.
Just be yourself and be honest and let it all hang out.
Because you are a beloved-madman anyway.

Say:

“We intend to blow minds if not souls. We intend to scrawl across the sky every single nuance and imperfect emotion contained in the film. We intend to agitate, inspire, affirm, or destroy all the energy that may be working for, against, or within us.

We intend to enlighten and scream.
We intend to howl with laughter.
We intend to think until our brain plates writhe like worms too well-oiled in a groping mud-slide.
We intend to reveal and admit.
We intend to entertain and challenge.
We intend to sprinkle
just a
little bit of beauty –
truth –
on this heaping mound of savagery
called Modern Life.

We intend to not lie and appreciate the pain of being honest.

And we intend to be proud as we say “This is who we are and what we were for the past year. We hope you understand part of it, if not actually like it. We hope it can inspire you to make your own film as well.”

​*you can use this as a stock answer anytime you want, anywhere you see fit, you don’t have to credit me because eventually you will come up with your own answer that’s even better. ​

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A Rhyme Inside A Screaming Brain

…Are you waiting for the flood?
While the news goes gaga
& our brains turn to mud?
As the neighbors turn on their TVs
& cultivate their fears
I’m going to come up with a plan
and destroy museum tears
Cause humanity is aching
It’s been dying all this time
since Columbus called it Trinidad
& colonized our minds
We’ll be watching our funerals
our criminal descent
into the land of amusement
& some kind of weird gaga death

*

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The Fetishization of Lupita Nyongo & the Dilemma of Black Actresses in Hollywood…

The Fetishization of Lupita Nyongo & the Dilemma of Black Actresses in Hollywood…

This article helped to give credence to my decision to move forward with my film project, “Octavia” — which was conceived to return to my protest art roots and theatrical background.  Urged by other writers who were supportive of my work, I wanted to create a role for a black actress that was at least as complex and interesting as my first cinematic character Cairo in “As an Act of Protest.”

This article only proves we are in a stranger, deeper dilemma as People of Color who may be involved in the Establishment Entertainment Complex or simply creating the advent of images under our own tables, with our own spoons.  Either way, it doesn’t matter.  Even maniacal Mao knew it:  “All art is propaganda.  But not all propaganda is art.”

I tell you: the creepy, insidious, patronizing, misogynistic racism of Hollywood in 2014 should outrage us.  But how can it?  We’re all slaves at the end of the day — shackled in mental slavery — and resistant to defining who we are on our own terms.  I mean that for EVERYBODY.  Hollywood and traditional Broadway, first and foremost, take their cue from Nazi Germany & the African Holocaust in the sense that they “break things down” and create TYPES…Didn’t von Verschuer do the same thing? And remember this if you read the article:  There is something bittersweet when African-Americans win awards given by a racist industry. Even more bizarre: Hattie McDaniel, who won the Oscar for playing Mammy in “Gone With the Wind” – did more for black people in the sense of her willingness to acquiesce and suffer in Hollywood so that Halle Berry or any other flavor-of-the-month in the “rhinestone sharecropping” of Tinseltown wouldn’t have to.  The Hattie McDaniels existed so wouldn’t HAVE TO debase ourselves or be conflicted as “what role to accept,” or revert to the perfunctory sexually subservient creature on screen who fulfills old White Men fantasies (isn’t that what Halle did in “Monster’s Ball”? Be honest. If that film showed a Jewess fucking a Nazi guard, you think the B’nai B’rith would’ve allowed it? Worse: they’d have burnt the ashes of the print! And rightly so.) etc.

So is there any difference between the racial dynamics of 1939 and 2014 in Hollywood? We have not even come full circle.  We are simply walking backwards. And seemingly enjoying the long empty road of our demise.

Pathetic. 

Black dramatists and filmmakers and producers need to get their act together.

Instead of Denzel bemoaning the fact that he still doesn’t get scripts offered to him (can you imagine?) – he should seek out some poor struggling blind alley scribe who could write emotional majesties for him and allow him to move into a new phase of his professional acting, career. I like Denzel Washington as an actor (although I admit I prefer his hungry, lean days) and that’s why I must tough on him. I expect more. I’m glad he did “Raisin in the Sun” on Broadway recently.

But isn’t it ironic that Lorraine Hansberry’s philosophical artistic message is still not be heeded? “A classical people deserve a classical art form,” she said. Not insulting offers to play a role in “The Jungle Book.”

*

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Poem for my Dominican Brother Who Hates His Haitian Brother (or Poem for My Black Brother Who Lives in Denial)

2 brothers on one island,
Hated each other
with a pathological zeal
one spoke Spanish,
the other spoke French –
different fathers,
but the same mother
whose language
they would never understand.The sugar cane shuddered
& wondered
if the boys
had ever been
to Israel
or
Palestine.

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Another Revolt, The End of Song, No More

Another Revolt, The End of Song, No More

My latest “haiku” had the honor of being published in the Poets Basement section of “Counterpunch,” a wonderful Left wing publication. 

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