Tag Archives: literature

William S. Burroughs, Words, Viruses & Books…

I am thrilled that Rebel Satori Press’ new book FEVER SPORES: THE QUEER RECLAMATION OF WILLIAM S. BURROUGHS edited by Brian Alessandro and Tom Cardamone has become a best-seller and includes my own essay on Burroughs and reflections on his impact on me as an artist, a writer, Black cis-straight man – who, as an outsider myself, identifies with the radicalism of Queer outlaws like him.

Rebel Satori Press’ new book, FEVER SPORES, features essays & conversations on William S. Burroughs by luminaries and independent authors alike

Ever controversial, the book seeks to re-contextualize the man, his guns, his history, his homosexuality, his relationship to women, transgressive ideas and writings – within the 21st century mainstream LBGTQ community and their new Queer outliers. Featuring interviews with luminaries such as David Cronenberg to Blondie to Samuel Delaney and urgent essays from writers such as Laura Schleifer, Jason Napoli Brooks, Michael Carrol, and Charlie Vazquez, FEVER SPORES will not disappoint and it opens new doors into new perceptions on Burroughs’ legacy and profound influence.

My essay on Burroughs explores the notion of words, oppression, the terror of language, addiction and the nature of art itself

You can go to REBEL SATORI PRESS’ website, Amazon, or order through your own local independent bookstore.

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Fragments Vol. 1

My latest series of poems “FRAGMENTS” (Vol.1)  was recently published in Rosalie Gancie & Carlo Parcelli’s avant-garde art & political journal, FLASHPOINT MAGAZINE, issue #17.

DL Kangalee directing Numa Perrier in an early rehearsal [photo by Nina Fleck,2014]

DL Kangalee directing Numa Perrier in an early rehearsal [photo by Nina Fleck,2014]

                 “There’s only one problem with man: the fact that he keeps going on.
                …I’ve been a frozen man a long time, at least since my last suicide attempt.”

                                                            — from “The Frozen Man”

 (as featured in the digital chapbook, Fragments Vol. 1 – available in Flashpoint Magazine #17 – online now)

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A Rhyme Inside A Screaming Brain

…Are you waiting for the flood?
While the news goes gaga
& our brains turn to mud?
As the neighbors turn on their TVs
& cultivate their fears
I’m going to come up with a plan
and destroy museum tears
Cause humanity is aching
It’s been dying all this time
since Columbus called it Trinidad
& colonized our minds
We’ll be watching our funerals
our criminal descent
into the land of amusement
& some kind of weird gaga death

*

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Ripping Out My Own Vile Jelly

Well I lied when I said
you could read me
I lied when I said I’ve
broken knees
I lied when I was
born inside an orphanage
I lied when I said I
didn’t see my reflection
in the sea.

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Nina Fleck’s Latest Poetic Dagger Published in “CounterPunch”!

Nina Fleck’s Latest Poetic Dagger Published in “CounterPunch”!

CounterPunch newsletter’s Poet’s Basement section has published three new works by Fleck, Gaffney and Trowbridge. 

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It was two days after the crash when I realized I had been given a second chance.

Although I did not know what had happened & only felt the transition taking place –I knew it meant opportunity: A new beginning.  That’s how I interpreted it.  And despite not being able to reference it in a bible or mantra – I knew it was a sacrament that had been given.  If I could have danced, I would have. I’d glide along the edge of my sanity and gently leap off.

Perhaps I already had…

The Triple Threat Who Changed My Life: Artist & Dreamer Nina Fleck

The Triple Threat Who Changed My Life: Artist & Dreamer Nina Fleck

Zero Moonlauten

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A Mark on the Cave Wall

Middle-Paleolithic cave drawing: about 12,000 years ago...

Middle-Paleolithic cave drawing: about 12,000 years ago…

If a junkie can find a way to get high, so can the artist
Do what you must to support the habit
Some transgressions are worth committing if they bring just a fragment of truth
Sometimes the work we create is worth all the pain and disaster,
Worth the humiliation and mockery,
And once in a blue moon it’s even worth the loneliness
So think globally, act locally,
And, if you can,
Create art whose beauty will last
At least as long as man’s ugliness.

*

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A Message on 125th Street, Harlem NYC (2011)

A Message on 125th Street, Harlem NYC (2011)

She was a quote whore and had legs like a seagull, beautifully bent as if awaiting take-off, eager to follow the visiting ships. We’d wheeled hypnotically for hours at a time once before in different corners of the world, often flapping in a cul-de-sac of frustration. I had learned of her through a truncated message tossed from a virtual skyscraper and tried my best to reciprocate.

I’d spent the better part of my life on the wing, but my wandering had slowed when too many of my fellow searchers were snared in world wide webs devoted to no one but the faceless spirit of the machine.

She sat like a beautiful Spider Monkey cross-legged on volcanic stone, waiting at the wall.
I caught a glimpse of her from above and behind, through the scalding chinks of the coppers’ chains and the dimmed windows of their Chevy Impala. There were crumbs and old newspapers and a crushed coffee cup kept rolling back and forth under the passenger seat. They picked me up for rolling a cigarette outside of Central Park – I wasn’t even smoking, I was just rolling it. They said I broke the law and was loitering and would have to be booked and they said they had witnesses. They drove around for a while and went back to the park entrance where they snagged me. My cigarette was still on the cobblestone. They asked around if anyone had seen me rolling the cigarette. The hotdog vendor just stared at them. He must have thought it was funny.
They shoved me back in the cruiser. Now they were pissed. They drove a bit, then laughed as they blared the siren and slapped me around a bit. I wanted to fight back — but if my fury had gotten the best of me I’d never make it to the wall.

They beat me so badly, a couple of the dead mariners’ souls’ tumbled out of me spilling onto the corroded seats of the car. I began to wonder if they would turn my feet into tobacco pouches.

— from “The Albatross Wall” (2009)

The Albatross Wall

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You ever wake up in the morning and have about five things wrong with you, but you just lay in the bed (or whatever you use to make a bed) staring out into the grainy space in your dark room and try to figure out which problem to deal with first? Such as: should I go to the bathroom first before I get nervous about having not paid rent or should I put socks on now before I touch the floor cause it’s cold and I can’t afford to get sick? – well the General woke up this way every morning. And his days were long agonies into the depths of his innumerable problems, with no end in sight no meaning no tags no order. Riddles that could not be solved. How is it possible to continue living when you actually do know the outcome of what it is you are doing. You don’t know what it means, but you know how it’s going to end. I ask you: How is it possible? How can it be that every fear does come to fruition, but the harm, the pain can’t and won’t go away? The cruelty in the room alone was breaking his very will to move, think, or breathe. His feelings, his imagination. And he always thought he was tough. But a tough person is just a supersensitive person inside out. The world – or at least their system in it – didn’t care if you were tough. It was more interested in what you were willing to give up.

— from “Where Ladybugs Go to Die” by Dennis Leroy Kangalee, (c) 2006

*

You Ever Wake Up and Have About Five Things Wrong With You…

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I Wasn’t Shocked When I Heard The Congresswoman Had Been Shot

I don’t know why but my heart sank when I read he’d used the term Ad Hominem.

On the bus, in the grave, below a lunchroom doorway or within the scheme of park — a part of me rustled. I watched his face on the screens above the mildew & steam rising from the machines, I missed the rinse cycle but didn’t care & my eyes were hurt and glossed and I couldn’t make out the fuzzy framed picture on the TV.

All I could do
was fold
& smooth
the edges of
my underwear,
smell the fabric of the toothen-caved-towel
& just mumble to myself that it’s all going to pass
cause it always does
But a part of me felt a little like a cheat,
a doused bunny who’d gotten away,
a mouse in a big house,
a tangle cherry-tree
still standing after the storm.

A part of me felt for him in a way I probably shouldn’t and I wondered what I would have done had I really known him, had I been his friend once or his enemy, his neighbor, or his bandmate, his dealer, his girlfriend, his mother, his father.
And I recalled my own self-important blues and irritating holler of my twenties, my unhinged moments of lucidity, my righteous breakdowns, my challenge of truth, my call to arms…But I was certain my shrill-shrill call was no false alarm, my anger not bitter hatred, my contempt not imaginary — but valid.

“He’d read Orwell & Huxley.”
Who hadn’t?
He was just probably the only one who understood it.

He read Mein Kampf.
Not David Lerner’s poem, but the book by the man who came to be known as the face & name of the twentieth century, the man single-handedly credited for inciting the zeitgeist, the man who made pop culture.

“There isn’t one brilliant mind on this planet who hasn’t read that book,” a college professor explained. “No one cared enough to help this lad as he was making his way down the crooked stairwell of sanity…everyone apparently was aware of his psychological demise or his mental sickness – “

Was it because they smelled just as bad?
If you’re both wearing the same cologne, how can you tell who’s sweat is filling the air?

Rhetoric doesn’t kill.
Apathy does.
And if betrayal is a mother fucker,
Denial is an assassin who will work for deferred pay –
But when he collects it is not currency he will want,
It is complicitness.

I have just one idea, let’s play a game:
Lets play the numbers game – I’m getting into that one now, I’m an American after all.
Nine years old? She was just nine years old?

I got you beat by 2 years just some months before: she was 7 years old murdered by police.
Who mourns for Aiyana Jones?

*

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