Tag Archives: Nina Fleck

 

Weir%20Building%201[1].jpg

Nina Fleck’s Weir Building 1 (as published in The New Engagement)

All responsibilities are thwarted when we concentrate on the tiny loans taken out on our life and the energy spent trying to be free

Like a cricket dancing beneath the glass —

Not realizing that every single shout and thrust of his body contributes to the demise of his legs which tremble not because he’s imprisoned

But because he can see through his walls.

It’s what we are missing and can’t attain that forever haunt us under Capitalism.

And art – a justifiable peaceful protest – is just a benign scream that tries to express the confusion of it all.

  • from “Kangalee: Monocords & Blitzes,” a featured excerpt of new poems in the recently published site & arts journal, The New Engagement

 

 

The Abandoned & The Broken…

Tagged , , , , , , , , , , , , ,

Fragments Vol. 1

My latest series of poems “FRAGMENTS” (Vol.1)  was recently published in Rosalie Gancie & Carlo Parcelli’s avant-garde art & political journal, FLASHPOINT MAGAZINE, issue #17.

DL Kangalee directing Numa Perrier in an early rehearsal [photo by Nina Fleck,2014]

DL Kangalee directing Numa Perrier in an early rehearsal [photo by Nina Fleck,2014]

                 “There’s only one problem with man: the fact that he keeps going on.
                …I’ve been a frozen man a long time, at least since my last suicide attempt.”

                                                            — from “The Frozen Man”

 (as featured in the digital chapbook, Fragments Vol. 1 – available in Flashpoint Magazine #17 – online now)

Tagged , , , , , , , , , , , , , , , , , , , ,

Nina Fleck’s Latest Poetic Dagger Published in “CounterPunch”!

Nina Fleck’s Latest Poetic Dagger Published in “CounterPunch”!

CounterPunch newsletter’s Poet’s Basement section has published three new works by Fleck, Gaffney and Trowbridge. 

Tagged , , , , , , , , ,

New Poet Cinema Preparing for First Production of 2014

New Poet Cinema - photo by Nina Fleck

New Poet Cinema – photo by Nina Fleck

After a long stretch after our 2011 collaboration Gentrified Minds, I am proud to announce that my partner, Nina Fleck, and myself have resumed work on a series of films that are at once personal and political and highly personal. Like poems.  Shards of Glass Spindled Tears Broken Dreams a trilogy of short films meditating on the nature of disappointment and endings will be shot and edited in May, 2014.  We’ve allowed our approach to “Avant-garde”  and experimental films to be highly intimate and informed by our work as poets and theater artists.

Currently we are looking to hire a MALE actor, 50, any race, with a tragic face that can emit a quiet intensity and one capable of expressing without speaking. 
Actor must also but must be comfortable interpreting and reading text aloud as you will be recording a poem as a voice-over. 

Union and non-union actors.

Email us for more information. One day shoot and voice-over recording in May. Paid. New Media SAG Agreement.

(Note: Year round,  we look for actors and actresses; performers who think OUTSIDE the box (or “models” in the Bresson sense) and possess expressive faces who can easily identify with themes of failure, death, memory, injustice, and the desire for hope.   A link to the New Poet Cinema project will be published by May 1st when the film is in production.) 

Tagged , , , , , , , , ,

It was two days after the crash when I realized I had been given a second chance.

Although I did not know what had happened & only felt the transition taking place –I knew it meant opportunity: A new beginning.  That’s how I interpreted it.  And despite not being able to reference it in a bible or mantra – I knew it was a sacrament that had been given.  If I could have danced, I would have. I’d glide along the edge of my sanity and gently leap off.

Perhaps I already had…

The Triple Threat Who Changed My Life: Artist & Dreamer Nina Fleck

The Triple Threat Who Changed My Life: Artist & Dreamer Nina Fleck

Zero Moonlauten

Tagged , , , , , , , , , , , , , , , , , , , ,

The Chase Bank Murder

The climax from my 2011 performance of “Gentrified Minds” in which the Nomad Junkie invokes the refrain from my earlier short story, “What Happened to the Brother on the Block?” — my surrealist tale about corporate friendly gentrification..one that has become more and relevant, especially in light of the sinister times we live in, the demise of community, and the psychopathic behavior of JP Morgan Chase & Co. With a nod to Gil Scott Heron, Lou Reed, and the spirit of the NYC protest poets — this was punk theater all the way…

*

Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Sarah & Cecil Stole Romeo & Juliet’s Getaway Car

“Tramps For Life, episode 3”
(Or: Even Rebels Get Sad When They Have to Be Bad but all in all there’s nothing worse than having Jungle Fever on the road, broke and homeless, and trying to up the ante)

N.Fleck/D.Kangalee, 2006

N.Fleck/D.Kangalee, 2006

— heard.
Outside,
the cold rain
pours down
and beats
relentlessly
upon the roof of the car.
The car that is not yours.
And your homeless heart flinches in that way only a newly-dispossessed person’s heart flutters and aches and cold-lip-dry-mouth-cracked-chapped hands open the passenger door, but you notice – on the floor, under those worn out boots barely covering your feet which you are nervous has caught an infection – a text, a crumpled magazine…and the printed word on that filth, the alignment and the rhythms, calm you…Because they were written by someone even more destitute than you and you no longer have to dread and shudder your way three stops on the N train amidst Hipsters who come from some place no real New Yorker has ever heard of, and yet your ignorance bounds you…But you read the text and you realize it is just the thing to read when you are in someone else’s bathroom and the floor is cold and you cannot complain because it is not your home, and you wonder where your home went and how it came to…
*
You tried.
You did everything possible without breaking any laws, yet every moral code that you ever tried to live by has been left shattered and torn.
Your reputation – skids marks under Cassio’s heel; your name has been warped and twisted like the heart of a Judge who refuses to resign.
You ask yourself why? And you see fleeting images of who you could have been and phantasmagoric duplicates of you and your lady and yet you wonder…what was the sin?
Like the disabled and the forsaken, you, too, cast an eye up to the sky in hopes of an answer…There is no answer. The answer was known, was given – long ago.
And it is not his or her or their fault.
It is some
perverted
joke.

Tagged , , , , , , , , , , , , , , , , , , ,

My Final Scream: Punk & Poetry

“EVEN MORE POWERFUL LIVE THAN IT WAS ON THE PAGE! BRILLIANTLY STAGED BY NINA FLECK -A STRONG MIX OF WORDS & MUSIC THAT CREATES A DIFFERENT THEATRICAL EXPERIENCE…KANGALEE WILL BE FOUGHT EVERY STEP OF THE WAY, BUT HE ALREADY KNOWS THIS.”
– Reg E. Gaines, NYC Downtown Urban Theater Festival Director, 2011
Tony-Award Nominated author of Bring in Da Noise, Bring in Da Funk

Dennis Leroy Kangalee as The Nomad Junkie fronts his theatrical punk band in "Gentrified Minds" (2011)  [photo by J.Lehrman]

Dennis Leroy Kangalee as The Nomad Junkie fronts his theatrical punk band in “Gentrified Minds” (2011) [photo by J.Lehrman]

Every now and then it is healthy to remember your personal war stories. From time to time, I will share bits and pieces of past works that might fit such a definition. Below are lyrics to the title song of my 2011 performance piece, “Gentrified Minds: The NY Horror Vol.2,” a musical spoken-word piece about gentrification. I was coming out of a long deep-seated emotional stir regarding the virulently corporate-friendly gentrified nature of NYC. It was stifling, sad, and arresting to feel like an alien in my hometown. My wife and muse Nina Fleck, pushed me to express my views about it all in a theatrical piece that combined our love for poetry, protest, and punk in one. It was meant to be a dagger in the side of the suburbanization/homogenization of New York City. To this day I don’t know a single soul who has gained anything as a result of the gross over-development of NYC. And if they did gain, it was just more money…and they were probably already rich to begin with. The project came to a swift halt in 2012 but it was one of the most thrilling and freeing experiences I ever had. It was the tail end of a long phase that gave birth to a number of poems in the guise of my “Nomad Junkie” persona and it was my last sigh in a tense chain of ‘holy rants’ and aggressive works that I construed to be viewed as poetic grenades. In the end, I was reminded that protest art doesn’t really do much to the status quo, but it does affirm the tremors of each choir member you may choose to preach to. And that’s all right, because that says a lot. It solidified my belief that the nature of true rebellion can never be popular. For when it becomes tamed — so does one’s passions.


Gentrified minds
Speak in gentrified times
Of gentrified ways
In gentrified days
With tongues that they stole
From mouths that they sold
In order to live “that way.”

“That way” is the day
That you knew you would pay
For the sins of a hustler
Who gave birth decay
My gait ain’t my own
Nor the shoes that I own
Barely’s the air that I suck
Or the sounds that I groan —

We are
Gentrified Minds.

I have no culture
Only a vulture
That breeds on my dying days.

Click here to see video excerpt of the performance.

or visit this earlier post

*

Visit this link for a glimpse into an earlier phase of my NY Horror series.

(c) 2011 by Dennis Leroy Kangalee; Words by DL Kangalee, music by Bob Kuch.

Tagged , , , , , , , , , , , , , , , ,

Gentrified Minds: The New York Horror Vol.2

The opening poem & title song of my humble revolt: “Gentrified Minds”,a performance-piece about corporate friendly suburbanization of NYC, racism, the rise of the hipster, demise of folk art, the suburbanization of NYC, and erosion of a true counter-culture. Four years of rancor and frustration gave birth to this piece, which was a follow up to a spoken word recording “The NY Horror Vol.1 (What Happened to the Brother on the Block?) that was eventually published in the Nerve Lantern literary journal. This was my first live performance in over a decade and the debut of my short-lived poetry band, the Children of Warhol. Music was co-written by Bob Kuch, the guitarist. Video edited & Mixed by Isaiah Singer. This performance was directed by Nina Fleck for Downtown Urban Theater Festival, NYC, April 22, 2011.

Tagged , , , , , , , , , , , , , , , ,
%d bloggers like this: